It’s Alive! Interview with Julian David Stone
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The 1931 James Whale film about Dr. Frankenstein’s re-animated monster still thrills us today. In a new novel with a title taken from one of the film’s most memorable lines, author Julian David Stone takes us behind the scenes as producer Carl Laemmle, Jr. struggles, negotiates, manipulates, and promises to get the film made. The stores behind the iconic details that have inspired dozens of remakes and spin-offs are told with as much suspense as you might hope to find in a movie. In an interview, Stone talked about doing enojugh research to immerse himself in the era, about Laemmle’s conflicts with his father, the founder of Universal Studios, and about how “Dracula” and “Frankenstein became the foundation for the genre of horror movies.
Frankenstein has been one of the most re-told stories in movie history. Why do we keep coming back to it?
I think the theme of bringing the dead back to life is one of the most universal, if not the most universal, that you find in every culture. And the theme is just as prescient today as it was 200 years ago when the original book of Frankenstein was first written. Separately, the 1931 film adaptation explores other themes that are also still very relevant today — man’s relationship to technology, the concept of ‘just because we have the ability to do something, should we do it?’, The unexpected consequences of our actions in the blind pursuit of technological advance, etc.
I have a couple of questions about your research. First, where did you go to find out about all of the day-by-day details and the thoughts of the key figures? Of all the research you did, what surprised you the most and what sources were the most valuable?
Research is one of my absolute favorite parts of writing. I particularly love doing research from sources from the actual time period that the story takes place — contemporaneous magazines, newspapers, books, etc. This is where a lot of the great details about the lives of the three main characters in my novel were found — scouring any and all media sources from the early 1930s. Additionally, interviews with the main characters were also very…